Rein's Protocol
Protocol text about Rein who encounters digital layers, glitches and disappearance of depth.
Protocol text about Rein who encounters digital layers, glitches and disappearance of depth.
An essay about how every invention becomes a metaphor of self, human transforms into a metaphor that each machine rewrites anew, and how in this masochistic compression lies consolation.
An essay about influence machines and Jess, where the digital becomes a machine of recursive gaze, and the human transforms into a processor.
A philosophical essay about Jess's recursive gaze, where subject and object change places, and consciousness transforms into a system without center.
A cyberphilosophical story about Rein who encounters digital layers, glitches, and the disappearance of depth.
How digital technologies enhance obsession: cycle, glitch, archive, interface, delay and algorithms. A text about the coincidence of obsession with the very logic of digital art.
Methodological instruction for artistic experiment: how to work with obsession as protocol, where object chooses you, repetition becomes structure, and glitch becomes organ of the alien.
An essay about how obsession acts as a channel for chaotic cosmos, sabotages consciousness filters and transforms language into a place of mutation. Art as a meeting point of subject and inhuman impulse.
A text about the internal rhythm of obsessive repetition, where form is born from the attempt not to make a mistake, and the work becomes a side effect. Obsession as discipline and as risk.
A personal report on a project where duration transforms from method into protocol, and documentation becomes dependency. A story about Jess, Archive, and time that cannot be compressed.
An essay on chronopolitics, art, and digital body, where duration becomes a form of resistance to acceleration and a way of inhabiting space.
A philosophical essay about digital surface: how layers, glitches, memory and interfaces form a new logic of depth.
A cyberphilosophical story about Rein who encounters digital layers, glitches, and the disappearance of depth.
An essay about dead and non-living body as two forms of emptiness and experience where loss and potentiality intertwine, forming a new affective knot.
Investigation of residual subjectivity in digital body: affect, memory, phantom 'living' and possibility of desire without body.
An essay about the birth of Jess — a digital phantom existing on the border between living and artificial, between control and illusion.
Protocol text about digital phantom Jess — a being on the border of living and artificial, where time renders and meaning resets.
An essay about the digital phantom Jess, philosophical zombie and experience of pain without body — an experiment where body and consciousness intersect with virtual reality.
An essay about the channel as a place of passage and transformation of affect, where human and digital body experience intersects through glitch, delay, and misalignment, forming new forms of perception.
An essay about the channel as a virtual field for the circulation of affect, where digital body and human jointly create new forms of impact and sensitivity.
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